Primordial Soup
Tiphaine Calmettes
Tiphaine Calmettes creates a new series of sculptures that allow you to sit down to taste a drop of kombucha, drink a flower tea kept warm in a gargoyle’s stomach, help yourself to broth from a hollow amidst bread crusts, smell the warm redolence of all this cuisine, follow trickles of water as they dribble out of a monster’s mouth, observe ochre light filtered through a dried kombucha starter, feel the earthy cavities of the surfaces around….
These sculptures are assemblages of previous experiences, works or rejects that have not completed their metamorphosis: under their own inertia and due to wear and tear, some materials give way under their own weight, or seep, crack or evaporate as they are sensitive to heat. All of them are doomed to be further transformed after the exhibition. Whether shaped by skilful hands or left in their initial state, they undergo involuntary transformations on their own. These versatile shapes have not only ingested the various strata of the artist’s work, they have also experienced motifs from distant periods–anthropomorphic utensils, stony plants, animals with pouring lips… –an entire monstrous bestiary drawn from a sort of imaginary natural history.
“Primordial soup” is a term associated with a scientific theory that says that life on Earth is the result of spontaneous generation within a milieu warm and sticky enough to allow life to arise. A whole ecosystem sustains itself in this primordial soup. These sensory sculptures that seem to have emerged from a troglodyte kitchen, turn Bétonsalon into an inhabitable place. Thanks to them, Bétonsalon settles into a sort of telluric domesticity.
Tiphaine Calmettes
Tiphaine Calmettes works towards inhabiting and heightening the fictions that shape our relationship to a territory. Using sculpture, installation and performance, she seeks to create movement in her shapes as well as her research. This is a way of envisaging the production process like a living organism, directly related to the spaces that welcome her productions, the people they encounter and vice-versa. She primarily focuses on developing a lifeform and organicity in her works. She then went on to encompass the idea of animating artefacts, both in their relationship to usage as well as to their environment or, in other words, she developed an interest in the way the production of objects and architectures are driven both by living species, or the energies that inhabit them, as well as by the physical or psychic interactions they develop with their surroundings.
Her creative process is a conversation with the history of skills and their reactivation in the present context. Thus, attentive to the context in which her work is produced, Tiphaine Calmettes collaborates with various craftspeople (rock artists, alchemists…). Informal, reversible, ephemeral techniques serve to animate the lifeform through performative actions. Her objects and narratives take the form of “edible stories” brought to life by revisiting sharing and commensality through flavours and encounters.
Tiphaine Calmettes (born in 1988) lives and works in Aix-en-Provence. She won the AWARE Prize in 2020. Her works have been exhibited notably at La Panacée MOCO (Montpellier), the Zoo gallery (Nantes), the Kunstwerk Carlshütte (Büdelsdorf, Germany), the École normale supérieure in Lyon, with the Biennale de Lyon 2019. In 2020-2021, she exhibited at the La Borne Contemporary Ceramics Centre (Henrichemont), the International Art and Landscape Centre–Île de Vassivière (Beaumont-du-Lac); she was also awarded a residency at the Laboratoires d’Aubervilliers and at the Centre d’art contemporain d’Ivry – le Crédac. In 2022 Tiphaine Calmettes participated in the group exhibition Pionnières at the Zoo gallery in Nantes.
Tiphaine Calmettes (born in 1988) lives and works in Aix-en-Provence. She won the AWARE Prize in 2020. Her works have been exhibited notably at La Panacée MOCO (Montpellier), the Zoo gallery (Nantes), the Kunstwerk Carlshütte (Büdelsdorf, Germany), the École normale supérieure in Lyon, with the Biennale de Lyon 2019. In 2020-2021, she exhibited at the La Borne Contemporary Ceramics Centre (Henrichemont), the International Art and Landscape Centre–Île de Vassivière (Beaumont-du-Lac); she was also awarded a residency at the Laboratoires d’Aubervilliers and at the Centre d’art contemporain d’Ivry – le Crédac. In 2022 Tiphaine Calmettes participated in the group exhibition Pionnières at the Zoo gallery in Nantes.
An exhibition coproduced by AWARE: Archives of Women Artists, Research and Exhibitions for the 2020 prize.
In partnership with d.c.a, french association for the development of contemporary art centres.
Workshop for all, with Mathilde Cameirao
Workshop for children aged 6 to 12, with Célin Jiang
Discussion between Cy Lecerf Maulpoix and Julie Sermon
Workshop for children aged 6 to 12, with Célin Jiang
Workshop for all, with Mathilde Cameirao
As part of the Treize’Estival, festival of cultural venues in the 13th arrondissement
Workshop for all, with Mathilde Cameirao
As part of Treize’Estival, festival of cultural venues in the 13th arrondissement.
As part of the Treize’Estival, festival of cultural venues in the 13th arrondissement
Kombucha workshop by Vivien Roussel, artist, biodesigner and researcher
As part of Treize’Estival, festival of cultural venues in the 13th arrondissement.
As part of the Treize’Estival, festival of cultural venues in the 13th arrondissement
Lecture by Léo Mariani, food anthropologist, researcher at the Muséum national d’Histoire naturelle
As part of Treize’Estival, festival of cultural venues in the 13th arrondissement.
Storytelling visit by Clotilde Lebas, apprentice storyteller, as part of Treize’Estival, festival of cultural venues in the 13th arrondissement.
As part of the Treize’Estival, festival of cultural venues in the 13th arrondissement
Workshop for all, with Mathilde Cameirao
As part of Treize’Estival, festival of cultural venues in the 13th arrondissement.
Workshop for children aged 6 to 12, with Célin Jiang
Workshop for all, with Mathilde Cameirao
Concrete, rebar and wire mesh, raw earth and straw, oyster shells, nails and wood-fired stoneware spoons, earthenware lid and dish, heating elements, sand, soup and bread crusts.
Photo: © Pierre Antoine, © Adagp, Paris, 2022.
Concrete, rebar, wire mesh, foam
Photo: © Pierre Antoine, © Adagp, Paris, 2022.
Concrete, rebar, wire mesh, hessian, raw earth and clay, earth juice, beeswax, mother-of-pearl beads
Inside: Vinaigrier chien ailé, 2022, wood-fired stoneware, kombucha drink
Photo: Pierre Antoine, © Adagp, Paris, 2022.
Concrete, rebar, wire mesh, raw earth, tarpaulins, water, kombucha, mosses, lichens
Coproduction: Centre international d’art et du paysage, Vassivière
Photo: © Pierre Antoine, © Adagp, Paris, 2022.
Concrete, rebar, wire mesh, raw earth and straw, earth juice, coffee grounds, black and ochre iron oxides, tarpaulins, electric pump, hose, water, heating elements, sand.
Inside: Théière poisson-dragon, 2022, wood-fired stoneware, herbal tea, and Fontaine à dents de crocodile, 2022, wood-fired stoneware.
Coproduction: Centre international d’art et du paysage, Vassivière
Photo: Pierre Antoine, © Adagp, Paris, 2022.