Anna Holveck

Poussé poussée, 2023

A film created with Nabintou Camara, Aboubacar Diarra, Coumba Simaga, Yanis Mechbal, Abou Sow, Daniel Berkache, Mariame Dembele, Saléa Simaga, Faustine Gracia, Rania Ghalid, Mariam Dabo and Dianguina Simaga from secondary school Évariste Galois (Paris, 13th), Perrine Forest, image.

Under the burning sun of June, some young people wander across the great slab of an old monument to words. The mouths have disappeared, and words too. Not yielding to silence, they nonchalantly resist to the sharp lines of the surrounding world.

Screening in the presence of participating students and the artist, followed by a snack.

Poussé poussée was created in collaboration with the Action collégien program and produced for the “Les Cris” project as part of the Art Pour Grandir artistic res­i­den­cies in sec­ondary schools with the City of Paris.

Konstantinos Kyriakopoulos

Tosca, 2023

Painted metal, foam, fabric, lamps, electric cable, castors
Photo: © Konstantinos Kyriakopoulos

Konstantinos Kyriakopoulos

Pieds de micro, 2023

4 painted metal microphone stands
Photo : © Konstantinos Kyriakopoulos

Konstantinos Kyriakopoulos

Snoopy, 2023

Painted metal, net, suspension system, neon lights, electric cable, castors
Photo: © Konstantinos Kyriakopoulos

Konstantinos Kyriakopoulos

Elios, 2023

Painted metal, fabric, sound system, lamp, electric cable, castors
Photo: © Konstantinos Kyriakopoulos

Konstantinos Kyriakopoulos

Lou, 2023

Painted metal, mattress, sheets, neon, electric cable, castors

Konstantinos Kyriakopoulos

Néo, 2023

Painted metal, painted wood, LED panels, electric cable, castors
Photo: © Konstantinos Kyriakopoulos

Konstantinos Kyriakopoulos

Omelette, 2023

Painted metal, sheets, castors
Photo: © Konstantinos Kyriakopoulos

Katia Kameli

Hier revient et je l’entends, 2023

Elements of scenography for chapter 4 of the “Algerian novel”, prints of photograms from Assia Djebar’s film “La nouba des femmes du mont Chenoua” (1977) and photographs of the shooting by Julien Graux, books and documents by and about Assia Djebar.
Co-production: ICI – Institut des Cultures d’Islam, Paris
Photo: Aurélien Mole, © Adagp, Paris, 2023.

Katia Kameli

Ikufans, 2023

Three painted cardboard sculptures
Coproduction: ICI – Institut des Cultures d’Islam, Paris
Photo: Aurélien Mole, © Adagp, Paris, 2023.

Abdessamad El Montassir

Abnou, 2023

Video, 13 min
Coproduction: Maison Salvan, Akademie Schloss Solitude and ADAGP
Photo: © DR, Abdessamad El Montassir and Adagp, Paris, 2023.

Abdessamad El Montassir

Sherrif, 2023

Video, 15 min
Co-production: Maison Salvan, Akademie Schloss Solitude and ADAGP
Photo: © DR, Abdessamad El Montassir and Adagp, Paris, 2023.

Abdessamad El Montassir

Mokhtar, 2023

Video, 11 min
Coproduction : Maison Salvan, Akademie Schloss Solitude and ADAGP
© Photo : DR, Abdessamad El Montassir et Adagp, Paris, 2023.
© Adagp, Paris, 2023

Judith Hopf

Less / Contrat entre les Hommes et l’Ordinateur, 2022

Recordings of videos and videoconference, 4 min
Camera: Florian Zeyfang
Animation and post-production: Martin Ebner
Translation: Jean-François Caro
Subtitling: Le Joli Mai
Coproduction: Le Plateau, Frac Île-de-France
Thanks to Stephan Geene, Clemens Krümmel, Émilie Renard, Punch Viratmalee, Andrew Wagner
Photo: Aurélien Mole, Courtesy of the artist and the Deborah Schamoni and kaufmann repetto galleries © Adagp, Paris, 2022.

Tiphaine Calmettes

Fauteuil à pattes d’ours, 2022

Concrete, rebar, wire mesh, raw earth and straw, earth juice, coffee grounds, black and ochre iron oxides, tarpaulins, electric pump, hose, water, heating elements, sand.
Inside: Théière poisson-dragon, 2022, wood-fired stoneware, herbal tea, and Fontaine à dents de crocodile, 2022, wood-fired stoneware.

Coproduction: Centre international d’art et du paysage, Vassivière
Photo: Pierre Antoine, © Adagp, Paris, 2022.

Tiphaine Calmettes

Extase, 2022

Concrete, rebar, wire mesh, raw earth, tarpaulins, water, kombucha, mosses, lichens
Coproduction: Centre international d’art et du paysage, Vassivière
Photo: © Pierre Antoine, © Adagp, Paris, 2022.

Tiphaine Calmettes

Menhir à alcôve, 2022

Concrete, rebar, wire mesh, hessian, raw earth and clay, earth juice, beeswax, mother-of-pearl beads
Inside: Vinaigrier chien ailé, 2022, wood-fired stoneware, kombucha drink
Photo: Pierre Antoine, © Adagp, Paris, 2022.

Tiphaine Calmettes

Banc serpent, 2022

Concrete, rebar, wire mesh, foam
Photo: © Pierre Antoine, © Adagp, Paris, 2022.

Tiphaine Calmettes

Hutte à mains, 2022

Concrete, rebar and wire mesh, raw earth and straw, oyster shells, nails and wood-fired stoneware spoons, earthenware lid and dish, heating elements, sand, soup and bread crusts.
Photo: © Pierre Antoine, © Adagp, Paris, 2022.

Anne Le Troter

Les volontaires, pigments-médicaments, 2022

Sound installation, 25 min, steel structures, tin, audio cables, speakers, transducers.
With the support of ADAGP and galerie frank elbaz
Photo: © Antonin Horquin.

Simon Ripoll-Hurier

Elle veut rentrer dans ma chambre/She wants to come into my room, 2022

A film created with Eliora Armstrong, Noa Better, Alicia Bekombo, Sathya Brou, Tyana Brunot, Djeynaba Diallo, Kenny Djebotaud, Fatoumata Diakite, Abdoul Jabbie, Chanel Tchinda, Beverly Toussaint et Yvan Yoni, boarders at Thomas Mann secondary school (Paris, 13e) ; Laetitia Striffling, image; Anne de Béarn, additional sound recording.

Elle veut rentrer dans ma chambre/She wants to come into my room is conducted in partnership with Thomas Mann secondary school. It takes place within the framework of the Art Pour Grandir artistic residencies in secondary schools and is supported by the City of Paris.

Sophie Rogg

là où le temps long se camoufle, 2022

là où le temps long se camoufle is a mural by Sophie Rogg imagined with the children of the leisure center of the Ecole des Grands Moulins and inhabited by the contributions of Ahmed, Rawassi, Rimass, Lou, Jeanne, Ayoub, Missy, Alix, Alyssa, Anahke, Fanta and Neyla.

It was created by the artist accompanied by the precious help of Sarah Touré and Sylvio Méranville, supported and encouraged by Lily, Sirine and Décra.

This project was carried out in collaboration with the leisure centre and the Ecole des Grands Moulins, with the support of the Mairie du 13ème arrondissement and the Centre Wallonie Bruxelles, and with the technical support of the Centre Oudiné, Paris 13ème.

Judith Hopf

Lightning, 2022

Painted metal
Photo: Aurélien Mole, Courtesy of the artist and the Deborah Schamoni and kaufmann repetto galleries © Adagp, Paris, 2022.

Judith Hopf

Rain, 2022

Mural painting
Photo: Aurélien Mole, Courtesy of the artist and the Deborah Schamoni and kaufmann repetto galleries © Adagp, Paris, 2022

Sylvie Fanchon

BONJOURSINOUSDISCUTIONS, 2021

Phrases stencilled in Blanc de Meudon on the windows of Bétonsalon
Commission “in situ” by Bétonsalon – Centre d’art et de recherche, Paris, 2021-2023
Photo: Bétonsalon, © Galerie Maubert et Adagp, Paris, 2023.

Florian Fouché

Le couvert, 2021

Multiple materials, sculptures, videos
Coproduction: Centre national des arts plastiques (CNAP)
Photo : © Margot Montigny.

Florian Fouché

La vaisssssellllle, 2021

Multiple materials, sculptures, videos
Coproduction: Centre national des arts plastiques (CNAP)
Photo : © Margot Montigny.

Florian Fouché

Civière gauche, 2021

Multiple materials, sculptures, videos
Coproduction: Centre national des arts plastiques (CNAP)
Photo : © Margot Montigny.

Martha Salimbeni

Moonlanding, 2021

Screen print on paper, 102 x 72 cm, 15 copies
Photo : DR.

Jagna Ciuchta

Le pli du ventre cosmique, 2021

Black Plexiglas, lacquered panels, honeycombed MDF, cut-out paper, photocopies, mirror paper, adhesive strips, frames, fabrics, various sizes.
Co-production: Centre d’art image/imatge, Orthez
Photo: © DR, © Adagp, Paris, 2021

Marta Huba

Stoned Belly, the Eggs, 2021

Clothes, root, suction cup, chains, heavyweight strap, subcutaneous injection syringe (gonadotropin antagonist), plastic box, needles, yoni eggs (amethyst, dark amethyst, white jade, golden obsidian), nylon stockings.
Photo: © DR.

Marta Huba

Stoned Belly, the Feet, 2021

Clothes, shoe trees, glass ashtray, self-injection kit, chains, earrings, yoni eggs (golden obsidian, obsidian, quartz crystal, rhodonite), false nails, sage.
Photo: © DR.

Romain Grateau

Grand tourisme à injection, 2021

Bookcase in reinforced concrete: Portland cement, sand, mineral fillers, steel, oxides and pigments, encaustic, 300 x 215 x 35 cm.
Photo: © DR.

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