Parties prenantes (Stakeholders): retroperspectives on the history of Bétonsalon
Bétonsalon is celebrating its 20th anniversary in 2023: 20 years of exhibitions, productions of works, performances, seminars and colloquiums, original texts and new translations, discussions, encounters, workshops, and unlisted initiatives that have been developed and supported by many people.
Even though the institution has changed internally, what is our history and identity today? How can we, having arrived here relatively recently, represent the history of the institution and, in turn, tell it? How can we go through the history of the art centre, and create a collective memory that is open to reading and writing? How can we position Bétonsalon in the world of art institutions in France and worldwide?
After 20 years, the time has come to look back at this institution, to initiate a process of self-reflection to draw up current perspectives, informed by past experiences and by these manifold histories.
Working together, we will gradually delve into the history of Bétonsalon and Villa Vassilieff in a spirit of research and experimentation, with a critical and reflective approach, we will create our methodology by observing those explored here, collecting micro-histories and counter-histories, personal or collective statements, to enable us to re-establish links and even extend certain experiences.
On the basis of a meeting for each exhibition, every three months, we will progressively and over several years, carry out a case-by-case interpretation of Bétonsalon. Project by project, we will gradually open the paper and digital archives, and we will search the documentary collection for publications associated with each project. And because the memory of a place, like the history of art, must be comprised of the memories of the people who have animated it, we will call upon the people concerned who initiated, animated or simply passed through such and such a project, seeking to open up this exploration to all the “stakeholders” (Parties prenantes is the title of a 2009 exhibition) according to their affinities: volunteers from previous teams, individual, collective or associative players, artists, curators, the public, partners, students, professionals, university staff, residents, children, walkers, dog owners, shopkeepers… For us, it will be a time of self-reflective research, in motion, with a view to re-constituting the archives and a living memory.
A look back on the exhibition “About Menocchio, we know many things”, in 2012 at Bétonsalon.
A look back on the exhibition “We Don’t Record Flowers, Said the Geographer” (2010)
A look back on the exhibition “Something More Than a Succession of Notes “ (2013).
A look back on the exhibition “They remember only the photographs” (2013) with Rémi Parcollet
Retroperspectives on the history of Villa Vassilieff around the exhibition “Teo Hernandez: Shatter appearances” (2019)