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  • Bétonsalon - Center for Art and Research

    9 esplanade Pierre Vidal-Naquet

    75013 Paris
    +33.(0)1.45.84.17.56
    Postal address
    Bétonsalon - Center for Art and Research
    Université de Paris
    5 rue Thomas Mann
    Campus des Grands Moulins
    75205 Paris Cédex 13
  • Romain Grateau
  • Sylvie Fanchon
  • Sylvie Fanchon

    QUEPUISJEFAIREPOURVOUS , 2022
    Series of 10 sen­tences in white­wash on win­dows
    440 x 221 cm

    Daubed in white­wash, the four win­dows at one end of Bétonsalon’s glass façade are trans­formed into a pic­to­rial sur­face. One after another, ten enig­matic phrases will be etched out within the white­wash in a stan­dard font, devoid of any punc­tu­a­tion and ren­dered in tightly packed let­tering. Over the course of the exhi­bi­tion, Bétonsalon’s team will trace out a new phrase as each pre­vious one is worn away. The short affir­ma­tions that make up this work by painter Sylvie Fanchon are uttered by Cortana, an intel­li­gent voice assis­tant devel­oped by Microsoft in the 2010s that is still in use despite already having been made obso­lete.

    Toeing the line between polite­ness and pushi­ness, invi­ta­tion and imper­a­tive, Cortana attempts to make itself useful (IMHERETOHELPDOYOUNEEDANYTHING), to engage users in con­ver­sa­tion (HELLOHOWABOUTACHAT) or to improve their pro­duc­tivity (ICANREMINDYOUOFIMPORTANTTHINGSANDMUCHMORE), whilst at the same time warning them not to get too familiar (PLEASEDONTPROVIDEANYPRIVATEINFORMATIO). Its lim­i­ta­tions nonethe­less soon become apparent (IMSORRYIDONTUNDERSTAND).

    This simple yet already unin­tel­li­gible lan­guage is char­ac­ter­istic of the straight­for­ward and one-dimen­sional rela­tion­ships offered by arti­fi­cial intel­li­gence assis­tants, which, beneath a helpful and servile veneer, gather infor­ma­tion to increase tech­nology com­pa­nies’ profits and power. Fanchon’s pic­to­rial pro­duc­tion is based on pre-existing ele­ments drawn from lan­guage and visual cul­ture. Here she uses Cortana, a device at once intru­sive, dystopian and com­ical, as a source of motifs for her paint­ings and in situ inter­ven­tions. Facing out over the esplanade in front of Bétonsalon, elic­iting ques­tions and curiosity, Cortana’s invi­ta­tions and their apparent authority are con­trasted with the fragility and trans­parency of the sur­face on which they are inscribed.

    Text by Mathilde Belouali-Dejean


    Photograph : Antonin Horquin, Pierre Antoine

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